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Angel ChevresttĪnd while Smith knew he was gay, he was “shocked” to learn that “most of the guys on ‘Bandstand,’ so many of them, were gay,” he told The Post. Ray Smith was one of the show’s secretly gay dancers. He would dance on the show until early 1960. He debuted in Studio 3B at WFIL-TV, near the El train stop in West Philadelphia, in 1956 when he was a 13-year-old junior high school student. But back in the “Bandstand” days, Smith was one of the show’s secretly gay dancers. Sullivan’s co-author, Ray Smith, recently retired after 40 years as an Emmy-winning “Today” show producer. I kissed a girl, and I liked it!” Sullivan, now 74 and long out of the closet, reveals in a fascinating self-published book, “ Bandstand Diaries” - billed as “The Book You’ve Waited Over 50 Years to Read!” “I knew I was different early on, but being with all these friends, I came to terms with my feelings. But he feared that if the show’s secret ever came out, Middle America would change the channel. What they didn’t know was that Arlene and several of the other female dancers, and most of the handsome teen boys, were gay.Ĭlark, known as America’s oldest teenager, knew. Millions of kids from Brooklyn to Beverly Hills ran home from school every weekday to watch them dance, imitate their styles and fantasize about their lives. They were the squeaky-clean Kardashians of their era, and “Bandstand” could easily claim the title as the first reality show.
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Angel Chevresttįive-foot-two, brown-eyed, brown-haired Arlene and handsome Kenny, a year younger, were among the TV music show’s elite, its stars, the vaunted “regulars” along with another couple often on camera - pert, blond Justine Carrelli and suave Bob Clayton. Arlene Sullivan and Kenny Rossi on the cover of Teen magazine in 1959. The big teenybopper magazines of the era - Sixteen and Teen - plastered “Bandstand” dancers on their covers and wrote glowing, gossipy stories about their lives in Philadelphia, where Dick Clark produced the show. They joined Arlene’s and Kenny’s fan clubs. You’ll get the Monitor Weekly magazine, the Monitor Daily email, and unlimited access to cute young teenagers Arlene Sullivan and Kenny Rossi slow danced together on “American Bandstand” back in the late ’50s and early ’60s, kids across the country swooned. If you’re looking for bran muffin journalism, you can subscribe to the Monitor for $15. We’re about kicking down the door of thought everywhere and saying, “You are bigger and more capable than you realize. We have a mission beyond circulation, we want to bridge divides. We’re known as being fair even as the world becomes as polarized as at any time since the newspaper’s founding in 1908. We’re run by a church, but we’re not only for church members and we’re not about converting people. The Monitor is a peculiar little publication that’s hard for the world to figure out.
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And I’m going to argue that we change lives precisely because we force open that too-small box that most human beings think they live in. We’re the bran muffin of journalism.īut you know what? We change lives. We’re seen as being global, fair, insightful, and perhaps a bit too earnest. If you were to come up with a punchline to a joke about the Monitor, that would probably be it. Sometimes, we call things ‘boring’ simply because they lie outside the box we are currently in.” My work in Kenya, for example, was heavily influenced by a Christian Science Monitor article I had forced myself to read 10 years earlier. “Many things that end up” being meaningful, writes social scientist Joseph Grenny, “have come from conference workshops, articles, or online videos that began as a chore and ended with an insight. About a year ago, I happened upon this statement about the Monitor in the Harvard Business Review – under the charming heading of “do things that don’t interest you”: